日本avant-garde傳奇女性音樂人Phew會在Mute旗下發行新專輯New Decade
先行單曲Into the Stream是首撲朔迷離之作
同時也有4部Youtube影片,追蹤數超過2,850的網紅SOPHY,也在其Youtube影片中提到,#SOPHY / #厭世臉 #RBF #RestingBitchFace 創作專輯 《殘》 已上線 HARSH the album out now 訂購《殘》黑膠唱片 Order HARSH Vinyl at : (眾籌進行中 Crowdfunding now ongoing till Ma...
avant garde音樂 在 Miss Rainbow Facebook 的最佳貼文
橫看成嶺側成峰,遠近高低各不同。Different angle and perspective.🏔️⛰️🗻
🏠位置:高雄市鹽埕區大勇路11號
🔼About:沒梗了所以今天文案抄蘇軾(喂)
ℹ️More:三級疫情前拍攝,現請務必遵循防疫規定,共同守護家園。
I'm standing under the 'soprano part' of Wave Tower, the landmark & the most eye-catching building of Kaohsiung Music Center. Its Avant garde design presents the image of Kaohsiung as a harbor city. The main venue includes live performace hall, live outdoor plaza & wave tower, which is also a community space for the music industry. 🌈
#missrainbow #高雄流行音樂中心 #高流
avant garde音樂 在 Facebook 的最佳解答
1. Squid的首張專輯《Bright Green Field》在對上一個星期五面世,本來打算在那個週末快寫一則。但因為這專輯實在太精采,層出不窮,愈聽愈有得著,弄至我遲遲未完成。而寫得慢,也可能因為黑膠遲遲仍未到手.....
2. 在我心目中Squid是art punk而多於所謂的post-punk,姑勿論是jazz、avant-garde、krautrock、funk等素材都能在他們的音樂領域上找到但加起來又毫無遺和感。
avant garde音樂 在 SOPHY Youtube 的精選貼文
#SOPHY / #厭世臉 #RBF #RestingBitchFace
創作專輯 《殘》 已上線
HARSH the album out now
訂購《殘》黑膠唱片 Order HARSH Vinyl at :
(眾籌進行中 Crowdfunding now ongoing till Mar)
http://www.sophysophy.com
KKBOX:https://kkbox.fm/Xa4kMS
Spotify:https://spoti.fi/353MMaQ
iTunes:https://apple.co/2Q1Hokk
AppleMusic:https://apple.co/367OmtO
Moov : https://s.moov.hk/r?s=OR7EQv
Joox : http://bit.ly/2Vddih4
MyMusic:http://bit.ly/2Zu9fwR
friDay音樂:http://bit.ly/2Q42uP3
YouTube Music:http://bit.ly/2F1O1gp
首發單曲 《厭世臉》
First single RBF from HARSH
厭世是一種本領,
厭世是一種自在,
厭世,才能換世。
與其強顏歡笑,倒不如,
忠於我們這一代人的厭世臉。
來,
我們,
安心厭世。
KKBOX:http://bit.ly/2LjlcQ7
Spotify:https://spoti.fi/34RkK3i
iTunes/AppleMusic:https://apple.co/33RKQSg
Joox:https://joox.page.link/gqboKA
Moov:https://s.moov.hk/r?s=bnmth4
Mymusic:http://bit.ly/2PdXWEf
friDay音樂:http://bit.ly/2RjyeRq
YouTube Music:http://bit.ly/2YeYKgi
曲 COMPOSED :SOPHY 王嘉儀 / NICHOLAS CHEUNG
詞 LYRICS :王樂儀
編 ARRANGED :kvn / HIRSK / NICHOLAS CHEUNG
監 PRODUCED :SOPHY 王嘉儀
貝斯及結他BASS & GTRS :kvn
合聲設計 BGV ARRANG :SOPHY 王嘉儀
合聲 ALL BGV :SOPHY 王嘉儀
尾奏 OUTRO :kvn
混音 MIXED :MATTHEW SIM @ GERMANO STUDIO
要尋找包容的神
變成憤怒的人
想住在溫柔的城
卻滿身傷痕 鋒利的灰塵
一呼喊就生在人間
我 為了跟一切遇見
想說話 為何不夠 聲線
想擁抱 為何沒有 時間
*我們憑著 厭世的臉
冷的眼 硬的舌尖
或許只能 這樣蛻變
不如跟著 世界翻臉
為自己 刮下淚線
或許可以 忘記哽咽*
明明在渴望永恆
一剎那就失去親愛的人
磚頭多脆弱無聲
時代的殘忍 怎麼去承認
一呼喊就生在人間
我 為了跟一切遇見
還未有跟著蝴蝶纏綿
卻得到 一張 厭世臉~
我們根本無法了解
生命就像一場詐騙
想看見 卻看壞了眼
想接近 卻冷漠如鐵
*我們憑著 厭世的臉
冷的眼 硬的舌尖
或許只能 這樣蛻變
不如跟著 世界翻臉
為自己 刮下淚線
或許可以 忘記哽咽*
Bridge
Oh~ 無力的靈魂 無力的質問
Oh~ 瘋狂的人生 過剩的沸騰
*如何脫下 厭世的臉
悲傷是 多麼危險
恐懼吞下 柔弱的臉
如何跟著 世界翻臉
才可以 拋棄世界
我們剩下 一臉碎片*
Recap
厭世的臉
多麼危險
如何跟著世界翻臉
才可以拋棄世界
FOLLOW SOPHY
▶ IG: @sophysophyw
▶ Twitter: @sophysophyw
▶ Facebook: https://facebook.com/sophysophyw
▶ StreetVoice: https://streetvoice.com/sophysophyw/
▶ Weibo: http://www.weibo.com/kayeeeeewong
www.sophysophy.com
avant garde音樂 在 Sandra Tavali李婉菁 Youtube 的最佳解答
Computer Music Ensemble: for Black metal vocal, Prepared piano, Real time sound processing.
Composer: Ivan Voinov, Sandra Li, Cvo Yang, Bruce Wang
Sound engineer: Cvo Yang, Bruce Wang
Metal Vocal: Chi Yue
Prepared Piano: Sandra Li
Premiere Production: Body Phase Studio, Guling Avant-Garde theatre, Taipei, TAIWAN, 2014.4.26
About the work:
Dirge is a prepared piano piece that is processed through electronics and fused with a harsh vocal speaking the poem "Dirge" by Shakespeare. "Dirge" is written about death from the perspective of the dying. The meditative, dark sound interlaced with complex piano melodies and rhythms creates a perfect, romantic atmosphere around the aspect of death. The harsh vocal can be interpreted as the cries of a crow, traditionally a messenger of death.
Dirge (134)
William Shakespeare
COME away, come away, death,
And in sad cypres let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave
To weep there!
About the composers:
Ivan Voinov is a first generation Russian living in America, where he has grown up, maintaining strong cultural ties back to his ethnic Russian roots, which can easily be heard in his music. During the later years if his high school career, he became successful as an ensemble composer, having several of his pieces performed across his home state, Vermont, and appeared on the radio for interviews on two occasions. Ivan is now studying computer music and recording rats major at Peabody conservatory, studying under Dr. Geoffrey Wright, where he is exploring the rich depths of sounds and capabilities and control pertaining to the field of electronic music.
Sandra Li, of the Siraya people, is a former keyboardist of the classical ensemble "Indulge" and the well-know metal band "Chthonic". Her musical works crossover between classical and fine art, film and documentaries. She is the composer for the TV documentary "Unknown Taiwan" produced by the Discovery Channel. Also, she was the artistic director of the musical "Dark Baroque”. Ms. Li earned the Master of Music degree in Computer Music from the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland, U.S.A., where she studied Computer Music with Dr. Geoffrey Wright.
輓歌
威廉莎士比亞
無常爾來矣﹐置我於柩床。一息已云絕﹐殺我乃姣娘。
麻絰及紫杉﹐速備慎毋忘。無人愛我深﹐乃肯殉我亡。
竟無一好花﹐撒余靈柩旁。竟無一良朋﹐弔余埋骨場。
不須為余泣﹐葬余在遐荒。親友無覓處﹐免其徒哀傷。
《輓歌》是為預先設置的鋼琴,現場即時聲響效果控制,與金屬黑死腔演場所創作的作品。人聲的部分所吟唱的是莎士比亞的詩作 "輓歌"。這首詩所描寫的角度,是從一個渴望垂死的靈魂,面對生命中無法抗拒的凋落。企圖利用鋼琴複雜的旋律與節奏營造出一種完美浪漫的死亡氛圍,暴烈的人聲比喻為烏鴉的哭聲,代表死亡的傳統使者。
Ivan Voinov 來自俄羅斯,成長過程中大部分居住在美國。在他的作品中,充分展現了俄羅斯的民族意識與風格。就讀高中時,已經展露在室內樂作品的創作能量,樂曲曾發表於 俄羅斯,佛蒙特州,與電台相關專訪。目前就讀於約翰霍普金斯琵琶地音樂院電腦音樂系,主修作曲,雙修錄音藝術。師從 Dr. Geoffrey Wright。創作特色專注於聲音的探索以及有關電子音樂現場控制的深入研究。
汪戊全,來自台灣台北,2013年畢業於臺北科技大學互動媒體設計研究所,目前嘗試以手作的細膩態度融入互動媒體設計的謹慎思考,共同創造出述說新形態故事溫暖人心的價值。
楊政,來自臺灣,畢業於實踐大學服裝設計系,在組樂團的過程中受到身邊不同藝術形式的人啟發試著追求無法明確定義的表演形式。曾經重新定義縫紉機的聲音的意義,在各地做過演出,同時於2013年在牯嶺街小劇場手作工作坊演出。
李婉菁 Sandra Tavali,西拉雅人,前indulge , 閃靈樂團鍵盤手; Discovery Channel 「謎樣台灣」配樂,音樂劇「黑暗巴洛克」音樂總監。作品常為跨界藝術、電影、紀錄片配樂等。約翰霍普金斯琵琶地音樂院電腦音樂研究所畢業,師從 Dr. Geoffrey Wright。
avant garde音樂 在 TheWhiteEyesBand 白目樂隊 Youtube 的最讚貼文
FB EVENT: https://www.facebook.com/events/1448477642067587/
::::: OPENING SHOW ::::: 2015-1-30, 4:00pm @ MOCA Taipei :::::
攝影 陳冠宇
後製 Awe IX
髮型 賀廣安@EROS Hairstyling
化妝 Sandy Chen
服裝 Hikky Chen
音樂 白目二分之一
藝術家介紹
Hikky Chen
1981年台北出生,台灣藝術大學舞蹈科/大阪mode學園服裝設計科畢業。獨立服裝設計師,表演者。
live art團體鬼丘鬼鏟一員,主要負責主視覺與服裝,演員,舞台設計。
2011 服裝,裝置,攝影個展《NUNU展》,2012 Heineken Dream Space(Luminal Arts Festival)服裝展,
2014【臺北藝術節】《目蓮拯救母親大地》/下一個編舞計劃"再見吧兔子”服裝,參與導演黃亞歷2015紀錄片《日曜日散步者》服裝,演員。
長期製作臺北樂團”白目樂團”現場,音樂錄影帶服裝。
The White Eyes 白目樂隊
2004年底組成,成軍十年的The White Eyes白目樂隊音樂風格涵蓋Garage、Punk等迷幻骯髒的暴力元素,以極具煽動力的現場演出著稱。08年拿下貢寮海洋音樂季(Hohaiyan)海洋音樂大賞,專輯《Kiss Your Eyes》獲得第22屆金曲獎最佳專輯包裝,曾為The Music、These New Puritans、The Flaming Lips等國際樂隊擔任共演嘉賓,足跡踏遍國內外音樂祭,美國SXSW、日本SUMMER SONIC、春天吶喊、野台開唱等,以及各地Live House巡迴演出。
策展人
賴士超Lai Shi-Chao
-------------------------------------
Exhibition Introduction:
Since the launch of ‘Art Street’, Museum of Contemporary Art, Taipei has explored diverse possibilities for art and for all by introducing contemporary art to living space. In the spring of 2015, MOCA Taipei partners with Elite Taipei Station Store to co-present the fourth exhibition and invites Taiwan Indie bands and emerging fashion designers to co-create a duo-feast consisting of music and visual sense. Through this cross-disciplinary experimental collaboration, we discuss the visual approaches of music performance on stage.
Since 2009 on, the White Eyes has worked with fashion designer Hikky Chen to develop a series of stage costumes and profiles, which they wear to attend many music events both overseas and domestically. This exhibition entitled Inorganic Evolution-The White Eyes X Hikky Chen could be regarded as a celebration of its founding for a decade. In addition to examine the creational history in the past ten years, the design profiles are also presented. Having an exhibition at the K1 and K2 square of Elite Taipei Station Store where the mass crowd and traffic gather, we expect to initiate a fusion of diverse creative culture and art as well as to further interpret the indie Avant-garde fashion of the White Eyes.
Extending the Punk and Riot Girls style in the early years, the White Eyes set up strong image in the circle of Taiwan Indie bands and they won grand prize at Ho-hai-yan Rock Festival; in recent years, the vocalist and bass player Chung-yu Fan form “Half of White Eyes” side project. While persuading further experimental spirit in the music presentation, the band also engages in several cross-disciplinary projects. The collaboration between the White Eyes and Hikky Chen implies the beginning of another stage, which the long-lasting Punk spirit, rebelling, critical against the conventional concepts, respect to individuals with different values, and the pursuing of liberation are all shown in their creation.
The stage costumes by Hikky Chen are mostly inspired by the elements in the Nature, including the mineral colors and textures, and the primitive quality of grey cloth. Therefore, most of costumes are made by retailing and assembling recycled clothing and unwanted fabrics. The colors are made from the technique of tea dying and show a warm, tender and natural hue. The texture and color hues are full of primitive charm, which is exactly like the liberation manifesto by the band. Moreover, daily life and pets of band vocalist Hsiao-gao Gao are resources of inspiration as well.
The White Eyes organized their ten-year anniversary concert at the end of 2014. It is an important evolution for the White Eyes to present the audio sense through costumes and visual profiles. This is the intention behind the collaboration between the band and fashion designer. Based on this reason, the exhibition is organized to present the achievement of a decade. On stage, the White Eyes not only performs physically, but also expresses their music faith via unique costumes. With the concepts of inorganic evolution, this exhibition looks forward to further inspiring more diverse imaginations and possibilities of cross- disciplinary creation among creators from different fields.
avant garde音樂 在 1950年後前衛作品- Avant-garde after 1950 | 讀樂 - MUZIK AIR 的相關結果
在二戰後出現以聲音作為媒材的藝術形式,尚有具象音樂、電子音樂、實驗音樂與聲音藝術等等,不過在此所選的都是需要演奏者、有固定記譜、相較繼承了更多「傳統」形式的音樂 ... ... <看更多>
avant garde音樂 在 “先锋派”(Avant-garde)音乐是什么? - 知乎专栏 的相關結果
这里的“先锋”指的是军队行军或作战时的先遣将领或先头部队,而与先锋派音乐并无太多直接联系。 “先锋派”(Avant-garde)这一概念本没有明确的限定涵。 ... <看更多>
avant garde音樂 在 先锋音乐- 维基百科,自由的百科全书 的相關結果
先鋒音樂(英語:Avant-garde music),又稱前衛音樂,泛指當代音樂範疇中前衛的音樂,專指出現於西方20世紀起古典音樂這個總體概念中的一個分支。先鋒音樂的顯著特徵 ... ... <看更多>